![]() ![]() So, a Wurlitzer is different from an electric guitar in two ways. Requiring an extra 20-lb amplifier would undermine any ads touting the keyboard’s convenience. Plus, the a major selling point of the Wurlitzer was its portability. There’s no indication that Wurlitzer wanted to make cabinets or otherwise get into the amp-making business. And because the Wurlitzer’s pickup requires voltage to function, third-party amps would not be compatible with the electronic pianos. So Wurlitzer’s electronic piano was also designed to be ready-to-play upon delivery, its amplifier present within so that the sound came from the keyboard and not some external unit.Īnother point: Wurlitzer didn’t make amplifiers. And, unlike a guitar, a piano isn’t meant to be handheld, giving Wurlitzer more real estate inside the body to hide electronics. ![]() Every component required to make sound is (of course) already present within the case, no accessories required. (The Hammond organ, invented in 1935, provided precedent for this concept.) Like any acoustic instrument, the traditional pianos that Wurlitzer built were self-contained. The most common examples of Wurlitzer acoustic pianos are from the 1960s.ĭuring the 1970s they also expanded into making electric pianos and jukeboxes.Įventually the Wurlitzer company was acquired by Baldwin, who still own it today.Why? First of all, Wurlitzer was a piano company, and the on-board amp contributed to the illusion that the Wurlitzer is a piano. However, they did also make studio upright and grand pianos, but these are quite rare. Initially the company was an import export business, importing stringed, brass and woodwind instruments from Germany into the USA, but eventually they expanded into making pipe organs and player pianos.Īround the 1880s, Wurlitzer began making entry level acoustic pianos, including spinet and console pianos. Likewise, its pointless asking 2000 for it if its just going to be used by a beginner there are more affordable and more appropriate options. Its probably not going to be in any way usable by a concert artist, or someone looking to do a degree in music. My advice when you sell your Wurlitzer (if you have one) is that you need to do an honest appraisal of the condition and the usefulness of the piano. However, there is almost certainly going to be some form of compromise when selling a piano. If youre lucky and you market your instrument right, youll come across the right buyer at the right level, who is willing to pay the right price. The deciding factor is going to be how much the buyer is willing to pay, and how usable the piano is to a pianist. When you move outside of this coveted realm of brand names, you are much more at the mercy of the condition and age of the piano. While condition and age factor into it, people will by a Yamaha over a Kawai or a Feurich or similar brands, just because its a Yamaha, even though another piano might be more suitable for them. You will find people looking for a Yamaha or a Steinway, just because its a Yamaha or Steinway. Yamaha and Steinway are two examples I mention, due to the fact that these pianos hold their value so well in the upright market and the grand market respectively. Wurlitzer grand g411 measurements how to#Piano Pricing How to decide If you are selling any kind of piano, as long as its outside the realm of Yamaha, Steinway, Kawai, etc, the primary factor that will determine its selling price is condition. How usable is it for another pianist If it requires many thousands of dollars of work done to it, unfortunately, it wont be worth much. However, the price you get is primarily down to the condition of the piano. So, how much is a Wurlitzer piano worth Ultimately, what a piano sells for is down to many factors.Ī vintage piano like Wurlitzer (theyre not made any more) Im sorry to say, is never going to go for many thousands of dollars. ![]() Asking for too little can mean you inadvertently give your buyer a bargain. ![]()
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